105 Likes

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"I’m an Australian typographer, illustrator and artist, specializing in hand drawn artworks and projects with a lyrical, visual vocabulary.

Working in a range of mediums, my focus lies in generating truly creative, high impact visuals for professional and personal illustrations, typography, branding, murals, installations and exhibitions.” — Georgia Hill

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Good Things Everywhere

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Process:

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Insta Slow Jams

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"A collection of typographic gifs based on rnb/hip hop lyrics…It was Valetine’s Day! I decided to celebrate with a whole lot of 90s rnb/hip hop lovin/cheatin/cryin/trying tracks, releasing a series of typo based gifs on Instagram called ‘INSTA SLOW JAMS’. All the type and pattern work was hand drawn, then built up digitially to animate.

More to come and I am obviously very single with the time to do this.”

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Never Ending Bummer | Solo Show

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"‘Never Ending Bummer’ is a series of illustrative, hand generated type based artworks that visualises cycles of anticipation, observation and reflections of a spent summer.

These monochromatic works develop experimental compositions where letters and phrasing are deconstructed from a cyclical theme, allowing each phrase to become an exaggerated visualisation of anticipation and disappointments. While each work is unrelated to the next, the final collection is layered with details of rhythm, repetition, and sequence, further shaping the sense of dramatic change within seasons, relationships, time, and fortune.”

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Details:

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visit Georgia Hill’s site for more…

Georgia Hill | typography

  • text
  • 04.11.2014
  • 105 Notes
135 Likes

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Stay Hungry | 360 x 500mm letterpress print on Wild 300gsm (35% cotton stock).

“’We are a studio that believes in the narrative that drives us all. We hold in equal regard the process, craftsmanship and origin of every aspect of every project.’

Simon and Jenna Hipgrave established The Hungry Workshop to deliver this passion for storytelling through design, process, craft and collaboration. They’re hands on with many aspects of each project, often quite literally rolling up their sleeves and getting elbow deep in creating a perfect execution.”

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Blank Collection

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"It can be hard to find a card that has the perfect sentiment – that’s why we created the Blank Collection. A series of floral woodcut illustrations and vintage styled sans serif typography is offset by your sweet, silly or serious handwritten message. With a little bit of guidance along the way you can add your own words to create a truly unique and original card that will really let someone know how you’re feeling.

The blank collection cards are A6 (105 x 148.5mm) and letterpress printed on Stephen Smart White 330gsm, a 100% carbon neutral stock.”

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Flynn’s Anaglyph Letterpress Print

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"A place where you can pass from one dimension to the other, Flynn’s is the home of the fabled Tron arcade that, in 2010, transported Sam Flynn into a digital world. Our print is an homage to that moment – put on a pair of classic red / blue 3d glasses and the anaglyphic print comes to life with another dimension.

Created for the ‘Directors Cut’ Look Hear exhibition 2013, Flynn’s was letterpress printed by hand on our Asbern proof press in two colours on Crane Lettra 300gsm.”

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Floral Wrapped Cards

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"Each card is wrapped in an Australian floral pattern, letterpress printed in bright magenta and turquoise on Wild 300gsm, a 35% cotton stock."

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visit The Hungry Workshop’s site for more…

The Hungry Workshop | print

  • text
  • 04.07.2014
  • 135 Notes

Jonathan Quintin | graphic design

  • text
  • 03.27.2014
  • 140 Notes
140 Likes

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"Norwegian graphic design student at Kolding School of Design, Denmark. Hand lettering and sign painting”

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Us Floor Rush

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Hand lettered and hand painted glass gild. Traditional sign painting.

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view more Us Floor Rush process photos

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Reverse Glass Gild

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80 x 60 cm. Hand lettered and hand painted 23 karat, reverse glass gild. For the antique book store, Cappelens Forslag, in Oslo.

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visit Carl Fredrik Angell’s portfolio for more and follow him on instagram

Carl Fredrik Angell | typography

  • text
  • 03.13.2014
  • 140 Notes
99 Likes

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Miltos Bottis is a young graphic designer based in Athens. He holds a BA at Graphic Design from the Technical Educational Institute of Athens and is currently through his MA studies at Vakalo Art&Design College.

He is running his own silkscreen printing studio and since 2010, his own freelance project called Dylsectic.”

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"Tattoos are a big part of many people’s lives, either when they are done just to decorate a part of the body or when they have an extra role, like keeping a memory alive or saying something that can’t be said in words.

This projects sees them as a way to keep track of your life. There are three models with a full body cover, with several connections between them and tattoos depicting some aspects of their lives. The typography writes “Interesting Pasts” emphasizing all the above.

Design by Dylsectic (not all tattoos are originally my illustrations)”

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3x 50x70 cm 
1 color & coloured varnish print

There are 57 variations of the poster in total. Check out the process and all of the variations here

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"Two classic animal symbols of the hipster notion, the owl and the deer, combined with a typography that denies you belonging in that community just because you use them as pictures."

A series of two notebooks
Owl & Deer

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2 color / A5
72 pages / Hand bound

Papers:
Cover: Curious Matter Goya 270 gsm
Body: Munken Polar 120 gsm

Check out more images and the process here

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Visit Miltos Bottis’ website for more…

Miltos Bottis — Dylsectic | print

  • text
  • 03.03.2014
  • 99 Notes
86 Likes

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Bennett is an illustrator and designer who spends most of his days glued to old science fiction fantasy films and Saturday morning cartoons. This fascination with the imaginatively absurd has formed a surprisingly stable connection with the way his mind imagines the constraints of the physical form, or lack thereof.

Utilizing traditional oil media on natural wooden surfaces, Bennett is heavily inspired by the sharp dualities observed in his world’s natural and cultural ecosystems. His work is partly influenced by the precise forms and soft palettes of the Baroque masters, and the bold geometric intensity of the Russian Avant-Garde and Futurism movements. This dichotomy of contrasting artistic disciplines and influences lends itself to the underlying dualities observed in his work.” 

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Above:

The Blue Milk
Oil on Wood
18” x 24”

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The Veiled Lady
Oil on Wood
14” x 18”

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The Devil’s Bolete
Oil on Wood
14” x 18”

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The Trumpet Of Death
Oil on Wood
14” x 18”

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The Bleeding Tooth
Oil on Wood
12” x 16”

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The Lemon Disco
Oil on Wood
9” x 12”

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The Death Cap
Oil on Wood
9” x 12”

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The Stinkhorn
Oil on Wood
6” x 12”

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Plums & Custard
Oil on Wood
6” x 12”

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The Professor
Oil on Wood
8” x 8”

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Overweight Glob of Grease
Oil on Wood
8” x 8”

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We Must Be Bold
Oil on Wood
18” x 24”

Process:

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I Know I’m Human
Oil on Wood
20” x 20”

Process:

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video courtesy of Hot Art Wet City 

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visit Bennett Slater’s site for more and follow him on tumblr too

Bennett Slater | painting

  • text
  • 02.22.2014
  • 86 Notes