116 Likes

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"We value the experimentation, the reformation of the message, and the smart incentives.

We believe in the atypical, and in the principle that says that form follows function.

We celebrate clear messages and intelligent contents.

We are an Independent Design Studio.” — Manifiesto Futura

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BRUTO

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"Wallpaper* magazine invited us to collaborate in a project that would be exposed during design week in Milan. The task was to create 5 food items that were focused around one particular ingredient, also the branding and packaging.

We worked with Alfredo Villanueva, choosing “chili” as our main ingredient, so we could stand out our culture bringing the name of “Mexico” to an international exhibition not only by design but also by it’s gastronomy.

In a world where everything screams, everything is flashy, BRUTO remains an outsider, confirming that what is well made can get along with simplicity. What is startling is not necessarily noisy.”

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MUTUO

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"Mutuo, two architects proposing solutions that represent an ode to the experimentation. Taking advantage of their different roots, they create new experiences through chaos.

This project allowed us to came out with a particular solution: An identity with no logo, that relies in other resources to accomplish the characteristics of recognition and constancy that branding requires.”

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PERRO MALO

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"Inspired in Cerberus and Justice for All. A young, fierce and robust mezcal.

A mezcal that destroys.”

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visit Manifesto Futura’s site for more on these projects as well as others

Manifesto Futura | graphic design

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  • 06.11.2014
  • 116 Notes
166 Likes

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"Born, bred, and raised in Singapore, Sidney Lim is a graphic designer that currently resides in London. With a strong interest in typography, illustration and editorial design, he has worked with clients from the US, UK, Middle East, Asia and Australia. A beach-lover that can’t actually surf, he always strives to instill laughter, light-heartedness, and a touch of humour in his work.” — Sidney Lim YX

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Sewing Dreams and Fate - A Poster

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Inspired by a poem:

"Embroidering my fate with velvet and some moonlight, I hunt stars across the sea as the sun waves me goodbye. Little by little I see perfection awakening my sleepy soul, Sewing dreams and beauty together, hemming my sigh.” — Karla Bardanza

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In the Woods

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"Visual identity for In The Woods Festival, a one-day music festival held at a woodland location in the UK every summer, aimed at promoting up-and-coming artists and bands from Britain. The exact lineup and venue of the event is kept secret and released to the public only on the day of the event.

Started out as a hypothetical rebranding project done as part of CSM BA Graphic Design coursework, but artwork ended up being utilised for the actual event publicity. Featured photographs and video are from the official In The Woods Festival website.”

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Love Me, Possess Me

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"If paper bags could talk, what would they say? ‘Love Me, Possess Me’ is a statement on commercialism and the attraction that commercial graphic design exerts on modern society, where the key goal is to allure, and to seduce."

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Visit Sidney Lim YX’s site for more…

Sidney Lim YX | graphic Design

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  • 04.22.2014
  • 166 Notes
117 Likes

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"I’m an Australian typographer, illustrator and artist, specializing in hand drawn artworks and projects with a lyrical, visual vocabulary.

Working in a range of mediums, my focus lies in generating truly creative, high impact visuals for professional and personal illustrations, typography, branding, murals, installations and exhibitions.” — Georgia Hill

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Good Things Everywhere

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Process:

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Insta Slow Jams

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"A collection of typographic gifs based on rnb/hip hop lyrics…It was Valetine’s Day! I decided to celebrate with a whole lot of 90s rnb/hip hop lovin/cheatin/cryin/trying tracks, releasing a series of typo based gifs on Instagram called ‘INSTA SLOW JAMS’. All the type and pattern work was hand drawn, then built up digitially to animate.

More to come and I am obviously very single with the time to do this.”

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Never Ending Bummer | Solo Show

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"‘Never Ending Bummer’ is a series of illustrative, hand generated type based artworks that visualises cycles of anticipation, observation and reflections of a spent summer.

These monochromatic works develop experimental compositions where letters and phrasing are deconstructed from a cyclical theme, allowing each phrase to become an exaggerated visualisation of anticipation and disappointments. While each work is unrelated to the next, the final collection is layered with details of rhythm, repetition, and sequence, further shaping the sense of dramatic change within seasons, relationships, time, and fortune.”

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Details:

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visit Georgia Hill’s site for more…

Georgia Hill | typography

  • text
  • 04.11.2014
  • 117 Notes
143 Likes

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Stay Hungry | 360 x 500mm letterpress print on Wild 300gsm (35% cotton stock).

“’We are a studio that believes in the narrative that drives us all. We hold in equal regard the process, craftsmanship and origin of every aspect of every project.’

Simon and Jenna Hipgrave established The Hungry Workshop to deliver this passion for storytelling through design, process, craft and collaboration. They’re hands on with many aspects of each project, often quite literally rolling up their sleeves and getting elbow deep in creating a perfect execution.”

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Blank Collection

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"It can be hard to find a card that has the perfect sentiment – that’s why we created the Blank Collection. A series of floral woodcut illustrations and vintage styled sans serif typography is offset by your sweet, silly or serious handwritten message. With a little bit of guidance along the way you can add your own words to create a truly unique and original card that will really let someone know how you’re feeling.

The blank collection cards are A6 (105 x 148.5mm) and letterpress printed on Stephen Smart White 330gsm, a 100% carbon neutral stock.”

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Flynn’s Anaglyph Letterpress Print

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"A place where you can pass from one dimension to the other, Flynn’s is the home of the fabled Tron arcade that, in 2010, transported Sam Flynn into a digital world. Our print is an homage to that moment – put on a pair of classic red / blue 3d glasses and the anaglyphic print comes to life with another dimension.

Created for the ‘Directors Cut’ Look Hear exhibition 2013, Flynn’s was letterpress printed by hand on our Asbern proof press in two colours on Crane Lettra 300gsm.”

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Floral Wrapped Cards

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"Each card is wrapped in an Australian floral pattern, letterpress printed in bright magenta and turquoise on Wild 300gsm, a 35% cotton stock."

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visit The Hungry Workshop’s site for more…

The Hungry Workshop | print

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  • 04.07.2014
  • 143 Notes

Jonathan Quintin | graphic design

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  • 03.27.2014
  • 143 Notes